This is in progress... let me apologize for spelling mistakes and grammar, I hope to correct them later. I also have a lot of editing to do. If you sent it back, wait until I have a tighter version or use your own rewrite. As I rewrite now, I hope to go through and put everything in its proper place, perhaps working to a regular paragraph style. Hopefully I plan to place the relevant prepared for sending info at the front of specific paragraphs, so the style will probably be describe or outline then explain. Please understand I have very poor English skills due to both my current condition and my less than adequate studying.
First, let me explain that I'm going to write in a personal style, you are free to edit or rewrite as you choose. Second, you may want to know that I am schizophrenic, so you can again feel free to regard what I say as you choose (living this way, I've come to see that when people find that out, they immediately decide that whatever I may say or think is necessarily wrong or dangerous and that they have to think something opposed, but, that's your problem.)
O.K., this will sound stupid probably, but if you are reading me and would be interested in adding or making a comment... Get an email (an ANONYMOUS like a faked Hotmail, that may not be something I should encourage, but... email me here at EzPsi. Add a handle or a tag and I will talk it out with you and publish what you say if you want (maybe on a side page to keep your wording and thoughts out of my current mess.) O.K., so I don't know how you think or if you want to risk talking about it.
I told you I was schizophrenic... I recently developed the sinking feeling that someone else was working on my document. OK. I mentioned that they should please leave my copy intact... Please consider emailing me from an anonymous like a university computer. I got upset because I felt my MEANING was lost in at least one sentence. Figure out some way to reach me better. Or at least, leave the sentence intact and write your version after. I believe I am not the only person doing this (kind of) work, people who have come by and demoed new, to me, stuff and ideas stand at about 8, up to about 20~ (repeat demos included on the 20~.) I hope to clarify some of the credit later to backup some points and ideas. Some apologies...
In brief: Charge up. Stroke the back of your neck. Drop it. As you drop it, push lightly from your "heart" through and out your head. Push lightly and smoothly. Relax. Do not bear down. Allow it to flow though you may not feel it going. Try to open yourself to the target/s emotionally. It may feel like giving or willing sharing. Try to wait awhile before repeating. Think you are ready? Wait a little longer. Use a reward (umm, picture magazine, sip a diet drink, video or computer game, etc.) for honest effort.
Here it is crystallized a little more: CHARGE. STROKE. RELEASE (Give to your target.)
Charge. Relax and allow the music to cause you to tingle. At first be a little selfish, drawing it into yourself.
Stroke. Lightly stroke the back of your neck and upper back.
Release. Give it back to the source as well as you can. Give up some strength of self and allow the energy to leave your head/body toward the target like sharing an emotion as if it were a physical force/energy. Relax and give up a little. The stroke and release may happen at the same time.
The above should probably be used in a ping-pong, send and reply arrangement for best results in creating new tracks of flow. However, using multi track recording during a flow with stroking and relaxing may create a good amount of quick and easy signal.
Here is another rewrite:
I suggest a good listener, perhaps with some interest in music and reading. The listener should relax and consider stroking the back of their neck when they get something. Try to be receptive and mentally relaxed. Try not to over think or tighten up mentally. Go with best hits. Use error checking or correction.
You may be able to do some things with head-tingling "flow" music. First, you may be able to hear it at all. If you can hear it you may be able to let it "charge" you. This charge will feel like pleasant static electricity. Stroke the back of you neck while or after being exposed in order to increase the tingling feeling.
The second and perhaps most important thing you may be able to do with this music is to cause a signal that can be used to help predict the future. If you are able to signal someone alive at your time, you should be able to signal someone in a recording. By "sending" a signal to someone in a recording you should understand that you are effectively sending information into the past. If you send signal to only a set of recordings, edited to represent the information between when they are made and when you actually send the signal, you should be able to accurately describe some present knowledge to your "target" in the past.
The third thing you should be able to do with this music is create more of it. Using some recording equipment and some partners you may be able to use the music to create more of the energy that it consists of. The music can be used to make sort of a library of stimulus to signal or create more energy.
Using headphones and all listeners on microphone, where
"()" means a track:
(flow music) ---> (listener/s 1)
(flow music) + (listener/s 1) --->
(listener/s n1)...
(flow music) + (listener/s
1) + ... +
(listener/s n2) ---> "relayer/s" --->
(listener/s for edited info)
"relayer" happens at later date.
In order to create a signal using the "flow" music you should first find a piece of music that contains a section that makes your head and shoulders tingle. You should also find at least one partner that can hear/feel the energy we are talking about. Then you may need some basic recording equipment, some kind of multi-track recorder and a decent microphone. Everybody involved should be relaxed but basically drug free. Place one member of your group on a track in the recording. They will be both receiving information and sending signal to be re-used. Record them sitting quietly in front of the microphone. Then mix this track with the brief passage of flow music in a separate track(s.) Mix it so that they are on microphone both during and after the flow passage. At this time I should tell you not to continuously loop the flow music passage. Instead you may want to set it up multiple times with a reply amount of time between each "pop." Allow the listener, the "sender," to have time to charge and reply. The receiving partner may end up with more of a continuous flow of energy doing it that way than trying for an all out blitz of repetition. Hit stop when either partner begins to burn out.
The sender should be prepared before actually listening to the newly mixed passage. By prepared I mean, they are familiar with the energy involved and have developed an alert yet relaxed state of mind. They should also have at least a rough idea of where their partner is in the recorded space (left/center/right.) If they do not know exactly where the target is in the recording, even if they do, they should practice feeling the presence of the target partner. This idea of feeling the mind of the partner should be cultivated in order to work more strongly and do things like create signal from scratch. Some of the exercises I have come up with or mentioned from experience and my believed encounters with other users, may help with this kind of work. To be honest, a major attempt may require you to go over the rest of this document and do some trials and editing or rewriting to see what actually works best.
Then the "sender" should listen to the song while remaining relaxed and try to allow the energy to flow back into the song during or immediately after the existing flow passage. They should charge up from the flow passage and try to remain relaxed while lightly stroking the back of their neck and shoulders. Remain relaxed after the passage ends and continue to maintain the charge by the stroking effect. Also, after the passage has ended they may try to relax as they allow the charge to drop or fade while they imagine, in a physical seeming way, that the energy flows away from their head directly to the head of the target. They should try to allow their natural barrier of aura-like energy to drop. Try to allow physical feeling to leave their head or their body, only a slight push until connection, then allow it to flow back.
Let me go over the steps involved in actually performing the sending of a signal this way. The recordings are made and the information tracks have been edited in. Everything is prepared. As the passage comes on, the sender may want to stroke his or her upper back. If they are familiar or practiced they may not want to bother, for sake of speed. The passage will come on and a tingling will be felt in their head. Then sort of a tightness will form. As they feel this tightness form, they should try to relax their head and the muscles of the head and back. It may feel like they are drawing the tightness down toward their stomach. If they successfully draw the tightness away they may feel the state I refer to as "open." Then the sender remains relaxed and sort of pushes from the chest like they are feeling a welling up of emotion and allowing it to flow away to the target in the recording. It probably comes from the head, but they should use their head to control or direct the energy in a physical seeming way. Using the energy may feel like their head is a bead on a wire. Like they and the target are connected by some line of physical seeming force. Don't worry about it. Charge up, tighten slightly, relax and open, then "push" from the mind or heart or allow flow back to the target, lightly, quickly and smoothly.
As the energy comes on or comes down, relax a little until you feel looser but still in control. Then "push" lightly from your head or chest over to the head of a relaxed target. Push by relaxing the tightness in your head and GIVING the energy to the target. The push will feel like sending an energy with a feeling like sharing some emotion you may have felt well up inside you, but in a physical way. Like you are sending a jet of emotion straight at/into your target. The energy may feel like static, but the sending move feels like a flow of some emotion you may have felt within your own mind/body. Sending from the imagined heart may work well because you have become used to thinking of your heart as your center of vitality. Try to smoothly keep contact with the receiving mind. Just keep an idea of where they are though, do not try to change their open and relaxed state with more than the signal. They will be somewhat relaxed and waiting to collect the energy themselves.
About "send and reply" or the ping-pong idea, I picture this... Using some sound program, tapes or a sampler, cut the section of flow music into a short sample that can be played when ready. Perhaps using a loop arranger you can edit like this: flow sample, first response sample, break passage, first response sample, second response sample, break passage... Then as and after the flow samples play relax and stroke your neck. Remain relaxed and GIVE the energy back to the target. Try mixing some of the flows together at the same time. Stop if you are not doing too well or switch to another combination or set of samples. Insert happiness. Someone musical may try cutting the flows into notes (or loops) or mixing them with notes or passages. Consider leaving time for a reply. (Maybe you can pull the replies for re-use or some other use.) This came around.
Here is some stuff right now! Use machines to enhance at least "sending mode." The "open" time after even exposure or relaying should be explored for duration, even sound during open time or other signal (using machines.)
Maybe receivers should learn to relay too.
Now... during sending mode do talking in your head or talking exercises MOSTLY. SWAP as you all choose (probably less often.) In other words, talk most of the time not "loudly" but clearly and confidently, do some talking exercises (shouts, etc.) Swap to other signals occasionally. ALSO do some aura work.
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