You may be able to do some things with head-tingling "flow" music. First, you may be able to hear it at all. If you can hear it you may be able to let it "charge" you. This charge will feel like pleasant static electricity. Stroke the back of you neck while or after being exposed in order to increase the tingling feeling.
The second and perhaps most important thing you may be able to do with this music is to cause a signal that can be used to help predict the future. If you are able to signal someone alive at your time, you should be able to signal someone in a recording. By "sending" a signal to someone in a recording you should understand that you are effectively sending information into the past. If you send signal to only a set of recordings, edited to represent the information between when they are made and when you actually send the signal, you should be able to accurately describe some present knowledge to your "target" in the past.
The third thing you should be able to do with this music is create more of it. Using some recording equipment and some partners you may be able to use the music to create more of the energy that it consists of. The music can be used to make sort of a library of stimulus to signal or create more energy.
In order to create a signal using the "flow" music, you should first find a piece of music that contains a section that makes your head and shoulders tingle. You should also find at least one partner that can hear/feel the energy we are talking about. Then you need some basic recording equipment or software. You need a sampler or loop arranger, some kind of multi-track recorder and a decent microphone or headset with microphone. You may want a normal video camcorder. Digital recordings have worked well for me in the past, so I assume digital recording equipment is fine for this practice. Compressed digital has also worked perfectly well for me so you probably do not need to worry if you are working with decent quality recordings. You may need to find some of this out as you go along.
The sender should be ready before actually listening to the prepared recording(s.) By ready I mean, they are familiar with the energy involved and have developed an alert yet relaxed state of mind. Everyone involved should be relaxed but basically drug-free. If you are working with audio only, the "sender" should have at least a rough idea of where their partner or target is in the recorded space (left/center/right.) If they are working with video, obviously, they should have the "target" sitting relaxed on the screen in front of them.
The first thing you may want to do is simply to allow the music to charge you while you lightly stroke your head, the back of your neck and your upper back and shoulders. Later in this document I have a few ideas about charging while stroking and doing things like maintaining that charge with the stroking or pulsing it up and down, etc. Maybe you should try to do some kind of practice or exercise during the beginning of learning to do this along with the work of actually relaying for signal. All I mean to say here is maybe you can learn to charge better and then relay better by doing some practice or exercise where you become familiar with the energy you are going to work with.
Let me go over the steps involved in actually sending a signal. The recordings are made and the information tracks are ready so that only the information digits are going to be exposed. Everything is prepared and the "sender" is at least familiar with the energy they will be working with. They may want to play the flow music through one ear of some headphones or ear buds they like while the video recording of the target plays on a screen in front of them. Realize that with an editor, you can edit the short 30 second to 2 minute video clips with the flow passage(s) mixed into the sound track. Do what you like as far as this goes, whatever is easiest and works for you. As they play a recording and the flow passage comes up, the sender begins to lightly stroke the back of his/her head and neck to increase the charge. Then they immediately turn the focus of their attention to the target on screen. Next, they simply relax as they allow the energy to kind of fade from around their head or body and pretend it is flowing quickly and smoothly on or into the head of the receiver on the screen. Try not to push it to their head. Push only to "make contact" with the target then really, lay back and let it flow. The target should not stroke the back of their neck while receiving signal for information tracks. Instead they should raise their hand and maybe give a confirmation statement that, yes, they think they felt a signal at a certain time. The sender, who is watching the recording, may want to try to signal twice per clip or simply move on to the next clip when they think those actions were all done (at the same time.) With some practice you should be able to work with clips as brief as 30 seconds, maybe less. You will use some sort of error checking or correction over the entire message or block of info, so move on to the next clip when you think you were both in sync. If you have trouble doing this, maybe you are burned out for the time period and need to take a break, or you are probably trying too hard and need to relax for a minute. A note here: the "push" is only to sort of pretend to reach your target within the television or monitor. You should find that to get stronger signal you do not push, more like you relax and kind of let it go. It is the opposite of forcing your signal on or into them (more like just let it go) that actually produces the better effort.
I suggest a good listener, perhaps with some interest in music and reading. Relax and try to be mentally receptive. Try not to over think or tighten up mentally. Try not to ward against, push away, drop or squash signal if you do get any. It may seem weak but definite or discreet. DO NOT stroke while receiving. Go with best hits. Use error checking or correction.
Place one member of your group on a track in the recording. They will be both receiving information and sending signal to be re-used. Record them sitting quietly in front of the microphone. Then mix this track with the brief passage of flow music in a separate track(s.) Mix it so that they are on microphone both during and after the flow passage. At this time I should tell you not to continuously loop the flow music passage. Instead you may want to set it up multiple times with a reply amount of time between each "pop." Allow the listener, the "sender," to have time to charge and reply. The receiving partner may end up with more of a continuous flow of energy doing it that way than trying for an all out blitz of repetition. Hit stop when either partner begins to burn out.
If they do not know exactly where the target is in the recording, even if they do, they should practice feeling the presence of the target partner. This idea of feeling the mind of the partner should be cultivated in order to work more strongly and do things like create signal from scratch. Some of the exercises I have come up with or mentioned from experience and my believed encounters with other users, may help with this kind of work. To be honest, a major attempt may require you to go over the rest of this document and do some trials and editing or rewriting to see what actually works best.
Then the "sender" should listen to the song while remaining relaxed and try to allow the energy to flow back into the song during or immediately after the existing flow passage. They should charge up from the flow passage and try to remain relaxed while lightly stroking the back of their neck and shoulders. Remain relaxed after the passage ends and continue to maintain the charge by the stroking effect. Also, after the passage has ended they may try to relax as they allow the charge to drop or fade while they imagine, in a physical seeming way, that the energy flows away from their head directly to the head of the target. They should try to allow their natural barrier of aura-like energy to drop. Try to allow physical feeling to leave their head or their body, only a slight push until connection, then allow it to flow back.
The push will feel like sending an energy with a feeling like sharing some emotion you may have felt well up inside you, but in a physical way. Like you are sending a jet of emotion straight at/into your target. The energy may feel like static, but the sending move feels like a flow of some emotion you may have felt within your own mind/body.
About "send and reply" or the ping-pong idea, I picture this... Using some sound program, tapes or a sampler, cut the section of flow music into a short sample that can be played when ready. Perhaps using a loop arranger you can edit like this: flow sample, first response sample, break passage, first response sample, second response sample, break passage... Then as and after the flow samples play relax and stroke your neck. Remain relaxed and GIVE the energy back to the target. Try mixing some of the flows together at the same time. Stop if you are not doing too well or switch to another combination or set of samples. Insert happiness. Someone musical may try cutting the flows into notes (or loops) or mixing them with notes or passages. Consider leaving time for a reply. (Maybe you can pull the replies for re-use or some other use.) This came around.
To relay: Get some flow music. Your partner is in video on a screen in front of you. Play the flow through one earphone while you stroke the back of your neck. As the energy begins to peak, switch the focus of your attention to your partner on the screen. Now, just let it go at/into their head as you begin to relax. THEY SHOULD NOT STROKE THE BACK OF THEIR NECK WHILE RECEIVING INFO. They will receive a light tickle to their head. You can loop the video if you are having trouble signalling. Turn the short clip off when they raise their hand after they feel they have received something. Stop and move on to the next clip when you think you were both in sync. Take many breaks. Keep trying and remember as you learn to RELAX.
Here let me mention a little flow. Pick it up. Stroke it. Let it go. OK... Put on ear bud(s.) Play the flow passage while stroking the back of your neck and head. Immediately switch your attention to your partner sitting relaxed on a video recording in front of you. Let the tingle-like energy "flow" out through your head/forehead to your partner ('s head) while you relax and remain calm. They should feel a light tingle. Editing these clips gives a simple binary signal. Use error correction.
Charge up. Relax and allow the music to cause your head to tingle.
Stroke. Lightly stroke your head, the back of your neck and your upper back.
Release. Remaining relaxed, allow the static-like energy to flow quickly and smoothly over and into the head of your target. It may feel like giving or willing sharing. The stroke and release may happen at the same time. Wait a little while before repeating.
Reward yourself for honest effort (a picture magazine, sip a diet drink, pop a tic-tac, play a video or computer game.)
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